(95% spoiler free)
What is the nature of ape politics? What historical material would a simian Shakespeare cull to craft his best tragic drama? Director Matt Reeves and his writers have crafted a narrative sustained by the answers to such intrigues.
A decade after a man-made virus has almost wiped out the human species, a small city of survivors, led by beleaguered former police chief Dreyfus (Gary Oldman), struggle to make contact with whatever might remain of humanity. In their search they encounter a different group of survivors, a tribe of super intelligent apes led by Caesar (Andy Serkis in typically photorealistic garb), and a new struggle for survival begins.
Apart from being one of the most intelligent and emotionally compelling films this year, Dawn of the Planet of the Apes is, I submit in the same heady breath it takes to say the portentous title, one of the best films designed as pop culture entertainment ever. The plot is the best bits of Shakespeare’s Plantagenet tetralogy, chief among them Henry IV and his son and successor Henry V (with even an Orangutan named Maurice fulfilling a more benign and mentoring Falstaff to Caesar’s son–Henry V–role), delivered with the cinematic vivacity that big-budget films revel in. Continue reading