Film preservation remains as interesting to me as it does dear; film restoration equally so. As such, the storied history of John Wayne’s The Alamo (1960) intrigues me more than the actual content of the film itself could ever manage: a tale of loss and folly, savage studio interference and incompetent indifference. Saving me the effort of recounting the precarious state of The Alamo‘s existence, Bud Elder has summed the matter succinctly over at the Digital Bits:


There may be perhaps more worthwhile causes, but none perhaps quite so easily remedied as this. Perhaps ironically, this problem requires only that a formerly meddling studio stop interfering in the affairs of this film and leave the professionals to their work. Readers who wish to keep the fight going for this film can do so by supporting the call for a restoration through various media using the hashtag #SavetheAlamo.


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