Watching the Sunrise: A Tribute

By way of introduction to F.W. Murnau’s masterpiece Sunrise, one can’t do much better than Rachael K Bosley’s remarks in the June 2003 American Cinematographer about the then recent DVD release of the film (which was, of all things, an odd mail-in promotion from 20th Century Fox):

At heart a simple melodrama about a philandering husband (George O’Brien) who rediscovers his love for his wife (Janet Gaynor), Sunrise is a film whose visual complexity was unmatched upon its release in 1927. It was the first American film made by German Expressionist director F.W. Murnau, and at the first Academy Awards ceremony in 1929, Sunrise earned the only such award ever bestowed for ”Most Unique and Artistic Production.” It also earned the first Academy Award for cinematography, an honor shared by Charles Rosher, ASC and Karl Struss (whom Rosher successfully nominated for ASC membership following Sunrise‘s release). Cinematographers of all ages continue to cite the film as a favorite. (16)

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